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Florence in 3 Days for Art: A Sequenced Itinerary by Neighbourhood (2026)

TL;DR. Florence’s Renaissance was made inside roughly 1.5 square kilometres of the historic centre. Uffizi to Accademia is a 12-minute walk; Accademia to Bargello, 10; Bargello to Pitti across the Arno, 14. Three days: Day 1 the Renaissance core (Duomo plus Uffizi), Day 2 sculpture and Michelangelo (Accademia plus Bargello plus San Marco), Day 3 the Oltrarno (Pitti plus Boboli plus the Brancacci plus the artisan ateliers). The 2026 ticket trifecta — the Accademia + Bargello 6-museum combo at €38 / 72 hours launched 15 March 2026, the Uffizi after-16:00 €16 walk-up introduced 1 January 2026, the Vasari Corridor reopened 21 December 2024 at €43 combined with the Uffizi — pays for itself by the end of Day 2 if you book it as one structural decision rather than three afterthoughts.

At a glance

Why sequence matters more than ticket count

The mistake first-time visitors make is treating Florence like Rome or Paris — booking museums in parallel, fitting them around restaurants at the other end of the city, burning a third of the trip on transit between things that are already next to each other. Florence is not like that. The Renaissance was made inside roughly 1.5 square kilometres, with most of the principal collections still housed in the buildings they were made for. The Accademia and the Bargello are ten minutes apart; the Uffizi and Pitti are connected, literally, by Vasari’s 750-metre corridor across the Ponte Vecchio.

What you sequence is rhythm, not geography. A serious art day is two principal collections plus a smaller third stop, with lunch between and an evening for a church or a chapel. Three days gets you nine principal-collection visits if you pace it. Throughout this piece we hand the room-by-room Uffizi sequence off to its sibling article — The Uffizi Essentials: A 2-Hour Route Through the Most Important Rooms — and stay at the city scale. Pre-book a small-group Florence Renaissance walking tour for a working art historian on the first morning.

Day 1 — the Renaissance core: Duomo + Uffizi

Morning: Piazza del Duomo

Start at opening. The complex is four tickets in one envelope from the Opera del Duomo office: Cattedrale di Santa Maria del Fiore (free, cathedral floor only); Brunelleschi’s Dome (1418–1436, 463 steps via narrow ringed staircases, no lift); the Baptistery of San Giovanni (11th-century, Ghiberti’s gilded Gates of Paradise on the east doors); and the Museo dell’Opera del Duomo. Reserve a Duomo complex combined ticket.

If you can only choose one climb, choose Giotto’s Bell Tower over the Dome — 414 steps versus 463, wider treads, landings, and from the top you can see Brunelleschi’s Dome itself, which you cannot from inside it. The Museo dell’Opera del Duomo is the under-visited stop almost everyone skips: the original Ghiberti panels of the Gates of Paradise (the Baptistery doors are replicas, restored after the 1966 flood), Donatello’s wood Mary Magdalene (c. 1453), Michelangelo’s Bandini Pietà (his second Pietà, intended for his own tomb, partially destroyed by the sculptor in 1555), and the Cantorie singing-gallery reliefs by Donatello and Luca della Robbia. Budget 90 minutes.

Lunch: San Lorenzo

Walk five minutes north. Trattoria Mario, Via Rosina 2R near the Mercato Centrale, since 1953 — Monday to Saturday lunch only, no reservations, shared tables, ribollita and Florentine bistecca to order, queue from 12:15. If Mario’s queue is long, Trattoria Sostanza at Via del Porcellana 25R, in business since 1869 — book ahead, request the petto di pollo al burro, accept that you are dining inside a tiled time capsule.

Afternoon: the Uffizi

Enter through Porta 1. Two hours sequenced through Botticelli’s Sala 10–14 (refreshed November 2024), Leonardo’s Sala 15, Michelangelo’s Doni Tondo in Sala 35, Raphael in Sala 41, Titian in Sala 83, and Caravaggio’s Bacchus and Medusa in Sala 90. For the room-by-room sequence and the cut-down 60-minute alternative, see The Uffizi Essentials — this is its companion piece. Pre-book a Uffizi timed-entry ticket two to four weeks ahead in peak season; walking up between April and October is the most common Florence-trip mistake. Book a small-group guided Uffizi tour if you’d rather have a working art historian read the Primavera’s iconography out loud.

Evening: aperitivo + the optional Vasari Corridor

Aperitivo at La Terrazza on the rooftop of Hotel Continentale (Vicolo dell’Oro 6r) faces the Ponte Vecchio from the right height. Alternative: Caffè Rivoire in Piazza della Signoria, since 1872, the historical option for an espresso at a marble table. Both are overpriced and both are correct once.

The Vasari Corridor is the optional Day 1 stop if you have a 90-minute window before close — see the dedicated trifecta section below for ticket terms. Worth the upcharge for returning visitors or Medici-history readers; skip if it’s your first Florence day and you’re already at four hours of Renaissance painting.

Day 2 — sculpture and Michelangelo: Accademia + Bargello + San Marco

Morning: Galleria dell’Accademia

Open at 09:00 with a timed-entry ticket via galleriaaccademiafirenze.it or B-Ticket. Via Ricasoli 58/60. Michelangelo’s monumental David of 1501–1504 (moved indoors in 1873), the four unfinished Slaves (c. 1525–1530, originally for Pope Julius II’s tomb), the St Matthew torso, and Bartolini’s Gipsoteca — the plaster-cast hall most one-hour visitors skip because it sits at the back. Don’t skip it; it’s the only intact 19th-century neoclassical sculpture studio in Italy. Sixty to seventy-five minutes. Pre-book skip-the-line Accademia entry — same-day inventory disappears by 10:00 most peak mornings.

This is where the 2026 Accademia + Bargello 6-museum combo (€38 / 72 hours, launched 15 March 2026) pays for itself — covers the Accademia, Bargello, Medici Chapels, Orsanmichele, Palazzo Davanzati, and Casa Martelli; full terms in the trifecta section below. Reserve the combo ticket.

Lunch: San Lorenzo, take two

Sergio Gozzi, Piazza San Lorenzo 8r, since 1915 — the trattoria curators and museum staff use because it’s around the corner from the Accademia and the Medici Chapels. Tuscan home cooking, Monday to Saturday lunch only.

Afternoon: the Bargello

The Museo Nazionale del Bargello, Via del Proconsolo 4 — Florence’s under-visited principal museum, in a 13th-century palazzo that was the city’s first police headquarters. Inside: Donatello’s bronze David of c. 1440 (the first freestanding nude bronze sculpture made in Europe since antiquity), Donatello’s marble David and St George tabernacle relief, Verrocchio’s David (the model Leonardo painted from), Michelangelo’s Bacchus of 1497, Cellini’s preparatory bronze for the Perseus, and Giambologna’s Flying Mercury upstairs. Foot traffic is half the Accademia’s; ninety minutes. Verify the closing rotation on bargellomusei.it.

Late afternoon: San Marco

The Museo di San Marco, Piazza San Marco 3, is the Dominican convent of Fra Angelico’s frescoes in the friars’ cells — each of the 43 cells painted with a meditation aid for the brother who slept there. The cell-by-cell walk-through, with the Annunciation at the top of the stairs, is one of the most quietly moving museum experiences in Italy. Savonarola’s cell is preserved further along the corridor. 2026 note: the Angelico and Fra Bartolomeo rooms were closed for refurbishment 25 January – 14 March 2026; verify on polomuseale.firenze.it. Closed the 1st, 3rd and 5th Sunday and the 2nd and 4th Monday of each month. Book a Florence Renaissance afternoon tour that threads the Bargello, San Marco, and Santa Croce if you’d rather not hold the sequence.

Insider note — the order matters. Do the Accademia first while you’re fresh; Michelangelo’s David rewards full attention. The Bargello holds the sculpture register; San Marco needs a slower pace than the principal museums. Reverse this order and you will see Michelangelo when you are too tired to look at him.

Evening: Santa Croce, if you have it

The Basilica di Santa Croce, Piazza Santa Croce 16 — the burial church of Michelangelo, Galileo, Machiavelli, and Rossini. The Pazzi Chapel in the adjacent cloister is Brunelleschi’s intimate-architecture masterpiece (1442–1478); the Bardi and Peruzzi Chapels off the main aisle hold Giotto’s late frescoes of the Lives of St Francis and St John. Forty-five minutes; otherwise save it for Day 3 morning.

Day 3 — Oltrarno: Palazzo Pitti + Boboli + Brancacci + ateliers

Morning: Palazzo Pitti

Cross the Ponte Vecchio at 09:30. Palazzo Pitti, Piazza de’ Pitti 1 — the Medici, Lorraine, and Savoy residence, five museums in one envelope. The headline is the Galleria Palatina: Raphael (Madonna of the Chair, Madonna della Granduca, Veiled Woman), Titian, Rubens, and Caravaggio’s Sleeping Cupid, all hung in dense ducal-residence style — frames jammed three rows deep on red damask walls, the closest you’ll get in Europe to how the Medici actually lived with paintings. The adjacent Royal Apartments are the Savoy bedrooms preserved as the king left them in 1919. The Galleria d’Arte Moderna upstairs holds 19th-century Macchiaioli painting. Budget two and a half hours.

Boboli: the sculpture-park-as-museum

Behind Pitti, the Giardino di Boboli is a 16th-century Mannerist garden treated as outdoor sculpture park: Buontalenti’s Grotta Grande (1583–1593, with replica casts of Michelangelo’s Slaves in the front chamber), the Amphitheatre, Giambologna’s Oceanus fountain. Sixty to ninety minutes. The PassePartout 5-day pass combines Uffizi + Pitti + Boboli for €38 low / €45 peak — the only Florence ticket maths that beats the Firenze Card if you visit all three.

Lunch: Oltrarno

Il Santo Bevitore, Via Santo Spirito 64–66r — modern Tuscan, Monday to Saturday 12:30–14:30, reservation needed by Tuesday for a weekend. The handmade tortelli with sheep’s-milk ricotta is the dish. Alternative: Trattoria 4 Leoni in Piazza della Passera for older-school classics — peposo, tagliatelle with wild boar ragù.

Afternoon: the Brancacci Chapel

The Cappella Brancacci at Santa Maria del Carmine, Piazza del Carmine 14, holds the Masaccio fresco cycle of 1424–1428 — The Tribute Money, The Expulsion from Eden, St Peter Healing the Sick with His Shadow, the Distribution of Alms — completed after Masaccio’s early death by Filippino Lippi in the 1480s. Michelangelo drew copies here as a young man (and, per Vasari, his nose was broken by Pietro Torrigiano during a drawing session). For a serious art trip this is the third unmissable stop after the Uffizi and the Accademia — the moment European painting figures out how to render the body in psychological space.

Booking essential. Thirty visitors, 30-minute slots, closed Tuesdays. Reserve via bigliettimusei.comune.fi.it, +39 055 0541450, or [email protected]. Tickets around €10. Verify on cultura.comune.fi.it.

Late afternoon: the Oltrarno artisan ateliers

Scuola del Cuoio, Via San Giuseppe 5r, entrance through the Santa Croce cloister — founded 1950 by the Franciscan friars together with the Gori and Casini families of Florentine leather artisans, originally to teach WWII orphans a trade. Working benches at the back are open during artisan hours. Officina Profumo-Farmaceutica di Santa Maria Novella, Via della Scala 16 — the world’s oldest continuously operating pharmacy, Dominican friars dispensing herbal remedies here since 1221, public-facing since 1612 (Officina’s history). The rosewater and Acqua di Santa Maria Novella still smell the way they did when Catherine de’ Medici took them to France in 1533.

Evening: Piazzale Michelangelo at sunset

The view across the Arno is the city’s correct closing image. Walk up via the Costa San Giorgio (25 minutes, steep) or bus 12/13. Add fifteen minutes uphill to San Miniato al Monte for the late-evening Gregorian-chant office (typically 17:30 in winter, 18:30 in summer) — the Romanesque hilltop basilica with one of the best-preserved 11th-century facades in Tuscany. Book a private Tuscany sunset and Florence rooftop tour.

The 2026 ticket trifecta — Accademia+Bargello combo, Uffizi after-16:00, Vasari Corridor

The three 2026 ticket changes are best understood as one planning decision.

Accademia + Bargello 6-museum combo — €38 / 72 hours, launched 15 March 2026. Issued by the newly merged Galleria dell’Accademia di Firenze e Musei del Bargello (formed 2025). Covers the Accademia, Bargello, Medici Chapels, Orsanmichele, Palazzo Davanzati, and Casa Martelli, valid 72 hours from first scan. Individual entrance totals €63; the €38 combo is a €25 saving (galleriaaccademiafirenze.it, verified 2026-05-11). A €26 / 48-hour Accademia + Bargello-only version exists for shorter trips. Buy via B-Ticket or in person.

Uffizi after-16:00 €16 walk-up — introduced 1 January 2026. A discounted Afternoon ticket at €16 for visitors entering from 16:00, last admission 17:30, rooms close 18:00 — per uffizi.it/en/notices/afternoon-discount-at-the-uffizi-gallery (verified 2026-05-11). The €16 price applies to walk-up at Door 2; online advance for the same window is €20. You trade roughly half the standard viewing window for the discount. Same-day availability is reliable December–February and unpredictable April–October.

Vasari Corridor — €43 combined with Uffizi entry. Reopened 21 December 2024 after an eight-year, €10 million restoration — new lighting, climate control, structural reinforcement, step-free access for the first time. Cannot be bought standalone — only the Uffizi + Vasari combination at €43, Uffizi entry mandatory two hours before the Corridor slot, per uffizi.it/en/corridoio-vasariano. Existing Uffizi ticket holders can sometimes add a €20 supplement same-day, subject to capacity. Evening-tour slots introduced summer 2025 book out three to four weeks ahead in peak season.

Insider note — how to stack the trifecta on a 3-day trip. Buy the Accademia + Bargello combo on Day 1 evening so the 72-hour clock starts mid-trip. Spend Day 2 on the Accademia and Bargello; slot the Medici Chapels in late Day 2 or Day 3 morning as the third combo venue. Add the Vasari Corridor only on a returning visitor’s Day 3 (Uffizi at 09:00, corridor at 11:00, exit onto Boboli at midday). First-time visitors should skip the corridor and use the saving on the Brancacci and a proper Oltrarno lunch.

The Firenze Card — when the maths actually works

Firenze Card 2026: €85 / 72 hours, 72+ museums (firenzecard.it, last verified 2026-05-11). Activates on first museum scan. Covered: Uffizi, Accademia, Bargello, Pitti, Boboli, Palazzo Vecchio, Bardini, Strozzi exhibitions, Brancacci, Medici Chapels, Marino Marini, Museum Horne, Palazzo Davanzati, and dozens of smaller venues. Crucially does not include the Duomo complex — the Dome, Baptistery, Bell Tower, and Museo dell’Opera del Duomo are separate. New for March 2026: the Firenze Card Restart, a €28 smartphone-only top-up extending validity by 48 hours via the FirenzeCard app.

The honest maths. If you’ll visit five or more covered museums — Uffizi + Accademia + Bargello + Pitti + Boboli + Palazzo Vecchio — you’re past €85 on individual tickets and the card wins, plus skip-the-line priority. If your trip is the four headline museums only (Uffizi + Accademia + Bargello + Pitti), the Accademia + Bargello combo (€38) + individual Uffizi and Pitti beats it on price. For a serious 5-day art visit including Palazzo Vecchio, the Bardini, the Strozzi exhibitions, and the Brancacci, the Firenze Card is clean. For a 2-day visit, never.

Where to stay — Centro Storico, Oltrarno, Santa Croce

Walking-distance properties around the Uffizi, Duomo, and Accademia are revenue-managed at 1.3–1.6× off-season rates April through October. Choose by neighbourhood first.

Centro Storico — for first-time visitors. The Duomo–Signoria axis, principal museums within a 5-to-10-minute walk. Hotel Pendini on Piazza della Repubblica is the well-priced 19th-century pensione. Hotel Bernini Palace on Piazza San Firenze is the 4-star option; its Sala Parlamento breakfast room dates from when Florence was Italy’s capital (1865–1871). At the luxury end, Hotel Helvetia & Bristol on Via dei Pescioni 2, the 19th-century literary hotel of record. Browse Centro Storico hotels on Booking.

Oltrarno — for second-time visitors. Calmer, food-dense, walking distance to Pitti and the Brancacci. Palazzo Belfiore at Via dei Velluti 8 is the boutique-apartments option inside a 15th-century palazzo. Hotel Lungarno at Borgo San Jacopo 14 is Ferragamo-owned, Arno-facing, with a public-area contemporary-art collection including Picasso and Cocteau. Riva Lofts on Via Baccio Bandinelli is a 19th-century industrial conversion with design-magazine interiors. Browse Oltrarno hotels on Booking.

Santa Croce — quieter alternative. Five minutes east of Signoria, walking distance to the Bargello. Hotel Monna Lisa at Borgo Pinti 27 is a 14th-century palazzo with a walled garden. Plaza Hotel Lucchesi on Lungarno della Zecca Vecchia 38 is the riverfront 4-star with a rooftop pool. Hotel Brunelleschi on Piazza Santa Elisabetta 3 is built around a 6th-century Byzantine tower. Browse Santa Croce hotels on Booking.

Where to eat between viewings

Florence rewards neighbourhood-anchored eating — institutional trattorias still run on shared tables, lunch-only hours, and inherited recipes.

Near the Duomo and Mercato Centrale. Trattoria Mario (Via Rosina 2R, since 1953, lunch only, no reservations) — bistecca and ribollita, queue from 12:15. Mercato Centrale’s first-floor food hall is the tourist-friendly compromise.

Near Piazza della Signoria and the Uffizi. All’Antico Vinaio (Via dei Neri 65r) is the legendary schiacciata-sandwich queue. ‘Ino (Via dei Georgofili 3r) is the cured-meat panini bar two minutes from Porta 1. Trattoria del Pennello (Via Dante Alighieri 4) is the old-school sit-down option.

Near San Lorenzo. Sergio Gozzi (Piazza San Lorenzo 8r, since 1915, lunch only) — the curators-and-museum-staff lunch. Trattoria Sostanza (Via del Porcellana 25R, since 1869) for the petto di pollo al burro and a marble-table interior unchanged in a century.

Near Santa Croce. Cibrèo (Via Andrea del Verrocchio 8r, since 1979) — Fabio Picchi’s modern-Tuscan institution. The more affordable sister Trattoria Cibrèo across the street is the right choice if Cibrèo proper is full.

Oltrarno. Il Santo Bevitore (Via Santo Spirito 64r) for modern Tuscan, Trattoria 4 Leoni (Piazza della Passera) for older-school classics, Gelateria della Passera (Via Toscanella 15r) for pistachio from imported Bronte nuts.

Book a Florence cooking class with market visit if you’d rather learn Tuscan cuisine than eat it — the morning-market-plus-cooking-school format earns its keep on a 5-day trip.

Day trips for art-led extensions

Florence is the right Tuscan hub. Four targets, by art density per round-trip hour.

Siena (1h 30min by direct Sita bus). The Duomo di Siena with the Piccolomini Library (Pinturicchio’s 1502–1507 frescoes of Pope Pius II) and the Pavimento (the inlaid marble floor, visible roughly two months a year, late August through October — verify on operaduomo.siena.it). The Pinacoteca Nazionale holds Duccio, Simone Martini, and the Sienese school’s full arc. Palazzo Pubblico in Piazza del Campo holds Lorenzetti’s Allegory and Effects of Good and Bad Government in the Sala dei Nove — the most important secular fresco cycle of the 14th century anywhere in Europe. Book a Siena day trip from Florence.

Arezzo (55 minutes Frecciarossa from Firenze SMN). Piero della Francesca’s Legend of the True Cross in the Bacci Chapel of San Francesco — the 1452–1466 fresco cycle with arguably the most psychologically observed Renaissance crowd scenes anywhere. Booking required: 15-minute slots, 25 visitors at a time, [email protected].

Pisa (50 minutes Regionale from Firenze SMN). The Camposanto Monumentale — the medieval frescoed cemetery, including Buonamico Buffalmacco’s Triumph of Death (c. 1336), restored after the 1944 fire and re-displayed since 2018. The Leaning Tower is the sideshow. Book a Pisa day trip from Florence.

Vinci (1h 30min via Empoli plus bus). The Museo Leonardiano in the Conti Guidi castle — technical reconstructions of Leonardo’s machines — plus the Battistero di Santa Croce where Leonardo was baptised in 1452. A half-day pilgrimage for serious Leonardo readers.

Florence in shoulder seasons + the calendar wrinkles

November to March. The most rewarding window for art. Crowds halve; queues at the Uffizi and Accademia thin to nothing; the after-16:00 €16 walk-up genuinely works. Trade-offs: some chapels close 12:00–15:00 for liturgical use, Oltrarno ateliers run shortened winter hours, and museum-specific refurbishments fall in this window — the San Marco Angelico and Fra Bartolomeo rooms were closed 25 January – 14 March 2026, the pattern to expect each winter at one or two principal venues. Florence in February is colder than tourists who packed for Italy expect — daytime 6–12°C, occasional rain.

Florence has no Biennale. The relevant calendar collisions: Pitti Uomo, the menswear trade fairs at the Fortezza da Basso (mid-January and mid-June), which absorb half the city’s hotel inventory for four days each; and the Maggio Musicale Fiorentino (April–June), Italy’s oldest music festival, which raises hotel rates and adds evening programming. The Florence Biennale of Contemporary Art (October–November, even years) is a smaller venue-based fair, not the calendar headline travellers think. For Italy’s headline contemporary calendar, see our Venice Biennale 2026 guide; for the Spanish Renaissance counterpart, The Prado Essentials.

FAQ

How long do I need in Florence for art? Three days is the right floor — Day 1 the Duomo and Uffizi, Day 2 the Accademia plus Bargello plus San Marco, Day 3 the Oltrarno with Pitti and the Brancacci. Five days adds a day trip and reads at the pace the city deserves. Two days forces you to skip the Bargello, which is the wrong skip. Mondays close the Uffizi, Accademia, and Pitti — a Monday arrival is the worst possible Florence day for an art-led trip.

Is the Firenze Card worth it in 2026? Sometimes. The €85 / 72-hour card covers 72+ museums including the Uffizi, Accademia, Bargello, Pitti, Boboli, Palazzo Vecchio, Brancacci, and Medici Chapels — but does not include the Duomo complex (Dome, Baptistery, Bell Tower, Museo dell’Opera del Duomo are separate). The card wins if you’ll visit five or more covered museums in 72 hours. It loses to the Accademia + Bargello combo (€38 / 72 hours, from 15 March 2026) plus individual Uffizi and Pitti tickets if your trip is the four headline museums only. The Firenze Card Restart (March 2026, €28) extends validity by 48 hours — smartphone activation only.

Florence vs Rome for art — which should I do? Different things, not the same thing graded. Florence is the Renaissance — Giotto to Caravaggio in a 1.5 sq km walking circle. Rome is everything else — antiquity, the Baroque (Bernini, Borromini, Caravaggio at San Luigi dei Francesi), the Vatican (Raphael’s Stanze, the Sistine Chapel, the Pinacoteca), plus MAXXI and MACRO. If you have a week, do both — Rome is 1h 30min by Frecciarossa from Firenze SMN. Florence is the more legible city to see fully; Rome rewards repeat trips.

When is the Vasari Corridor open in 2026 and what does it cost? The Vasari Corridor reopened 21 December 2024 and operates throughout 2026 on timed-entry slots. It cannot be bought standalone — only the combined Uffizi + Vasari Corridor at €43, with Uffizi entry mandatory two hours before the Corridor slot. Existing Uffizi ticket holders can occasionally add a €20 supplement same-day. Evening-tour slots introduced summer 2025 book out three to four weeks ahead in peak season. Confirm on uffizi.it/en/corridoio-vasariano.

Can I visit the Accademia and the Uffizi in one day? Technically yes, realistically no — fatigue does the work crowds don’t. Two hours at the Uffizi plus 60–75 minutes at the Accademia is four hours on your feet with bag-check queues and lunch between, and by the time you reach Michelangelo’s David you will be too tired to see it. Better rhythm: Uffizi one afternoon (14:00 slot), Accademia the next morning (09:00 slot). The 2026 Accademia + Bargello combo covers 72 hours, which encourages the right pace.

Is the Bargello worth the time? Yes. The Bargello is Florence’s under-visited principal museum and the right counterprogramming after a painting-heavy Uffizi morning. Donatello’s bronze David of c. 1440 — the first freestanding nude bronze sculpture made in Europe since antiquity — is arguably the work in which Renaissance sculpture announces itself. Add the marble David, Verrocchio’s David, Michelangelo’s early Bacchus and Pitti Tondo, and Cellini’s preparatory bronze for the Perseus. Foot traffic is half the Accademia’s; ninety minutes is the right budget.

What is the Cappella Brancacci and do I need to book? The Brancacci Chapel in Santa Maria del Carmine (Piazza del Carmine 14, Oltrarno) holds the Masaccio fresco cycle of 1424–1428 — The Tribute Money, Expulsion from Eden, St Peter Healing the Sick with His Shadow — which taught the next two generations of Florentine painters how to render the body in psychological space. Michelangelo drew copies as a young man. Booking essential: 30 visitors, 30-minute slots, closed Tuesdays. Reserve via bigliettimusei.comune.fi.it, +39 055 0541450, or [email protected].

Is the after-16:00 €16 Uffizi ticket actually available in 2026? Yes. From 1 January 2026 the Uffizi runs a discounted Afternoon ticket at €16 for visitors entering from 16:00, last admission 17:30, rooms close 18:00. €16 applies to walk-up at Door 2; online advance for the same window is €20. Same-day availability is reliable December–February, unpredictable April–October — sells out mid-afternoon during Italian school holidays. You trade roughly half the standard viewing window for the discount. Verify on uffizi.it/en/notices/afternoon-discount-at-the-uffizi-gallery.

Editor note

Written 2026-05-11 by travel.art editorial. Last verified 2026-05-11. Primary sources: uffizi.it/en/tickets, uffizi.it/en/notices/afternoon-discount-at-the-uffizi-gallery, uffizi.it/en/corridoio-vasariano, galleriaaccademiafirenze.it/en/news, bargellomusei.it, firenzecard.it, cultura.comune.fi.it (Brancacci), polomuseale.firenze.it (San Marco). Refresh scheduled for 15 September 2026; annual rebuild 15 March 2027, on the first anniversary of the Accademia + Bargello dual-ticket launch.

If you spot a fact that needs updating, write to [email protected].

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