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The Met Essentials: A 3-Hour Route Through the Fifth Avenue Building (2026)
TL;DR. Three hours at the Met Fifth Avenue is four wings, well. Buy a fixed-price ticket on metmuseum.org for the 10:00 slot ($30 adult out-of-state and international; pay-what-you-wish for NY/NJ/CT residents with ID), enter via the 81st Street side door rather than the main steps, and run: Temple of Dendur (Gallery 131) → Cubiculum from Boscoreale (Gallery 165) → American Wing for Washington Crossing the Delaware (Gallery 760) and Madame X (Gallery 771) → second floor for Vermeer (Gallery 630), Caravaggio (Gallery 620), El Greco (Gallery 619), Bruegel, Rembrandt, de la Tour → close with Arms and Armor (Galleries 370–379). The same ticket admits you to the Met Cloisters for three consecutive days — the single best sleeper deal in American museum admissions. Modern and Contemporary is closed through 2030 for Tang Wing construction: no Pollock Autumn Rhythm, no Picasso Gertrude Stein, no Cézanne in this visit window. The pay-what-you-wish rule for residents is alive and unchanged for 2026. Skip the ticket desk on a fixed-price Met admission via Tiqets if a busy Friday is your only window.
At a glance
- Address. 1000 Fifth Avenue, New York, NY 10028 — between East 80th and 84th on the Upper East Side. Main entrance on Fifth at 82nd; side/member entrance at 81st; accessibility entrance via 81st.
- Hours. Sun, Mon, Tue, Thu 10:00–17:00. Fri and Sat 10:00–21:00. Closed Wed. Closed Thanksgiving, Dec 25, Jan 1, and the first Monday in May for the Met Gala. (metmuseum.org/plan-your-visit, verified 2026-05-12.)
- Admission. $30 adult / $22 senior / $17 student for out-of-state and international visitors; pay-what-you-wish at the ticket desk for NY State residents and full-time NY/NJ/CT students with ID; under-12 free with an adult. Ticket covers Met Fifth Avenue and Met Cloisters for three consecutive days.
- Subway. 86 St (4/5/6) is closest — six minutes’ walk west to the main steps. 77 St (6) is closer to the southern wings. 5 Av/86 St (Q) is the Second Avenue Subway stop, five minutes south on Fifth.
- Time needed. 3 hours minimum for the route below. 5–6 hours for a comfortable single-day visit. A complete Met is fiction — the museum holds approximately 1.5 million catalogued objects.
- Best entrance. 81st Street side entrance, not the main steps. Faster security; drops you near the southern wings ahead of the morning bus tours.
- Photography. Permitted across the permanent collection. No flash, no tripod, no selfie stick. Forbidden in temporary exhibitions where signed.
- Bag rules. Free coat check at the Great Hall and at 81st Street. Large luggage refused at security.
What 3 hours actually buys you at the Met
The Met is encyclopedic, in the same first-rank sense as the Louvre and the British Museum — five thousand years across roughly two million square feet on a single Fifth Avenue plot. The footprint is decisive: where the Louvre is three palace wings around courtyards, the Met is a continuous low-rise complex built outward from Calvert Vaux and Jacob Wrey Mould’s 1880 red-brick core through eleven expansions, including Richard Morris Hunt’s 1902 Fifth Avenue facade and the Lila Acheson Wallace Wing (1987). The next expansion — the Tang Wing for Modern and Contemporary Art by Frida Escobedo — breaks ground summer 2026, reopens 2030. (CNN — Tang Wing design.)
Three hours buys fourteen works. Subtract fifteen minutes for security and twenty for inter-wing walking and you have 145 minutes of looking time, roughly ten per essential. The right move: commit, in advance, to four wings — Egyptian, Greek and Roman, American, European Paintings — close with Arms and Armor if pace holds, and skip the rest except in the extra-hour add-ons. The Vaux-and-Mould bones are still legible: Great Hall at center, Egyptian north, American closing the north end, European Paintings wrapping the second-floor southern balcony, Arms and Armor at the rear of the central axis. A first-time visitor who commits to the sequence will not get lost.
Which entrance and where to start
The Met has four public Fifth Avenue entrances. The opinionated pick is not the main steps at 82nd — those funnel into the slow Great Hall security line. The 81st Street side entrance (group and member entrance in name, open to ticketed individuals most days) routes faster and drops you near the Petrie European Sculpture Court and the southern wings, twelve minutes ahead of the main-steps crowd. The Uris Center accessibility entrance off 81st is the step-free route.
Enter at 81st with a pre-booked QR ticket, check coats on the lower level, escalator up, walk north through Greek and Roman to the Egyptian Wing. Crowd density on the central axis at 10:30 is roughly half what it is on the main staircase. Book a 3-hour Met guided tour on GetYourGuide for a museum-experienced guide who knows the post-rehang European Paintings floor.
The 2026 closure reality — what is not on view
A paragraph older guides do not yet have. As of late 2025, the Met’s Modern and Contemporary Art galleries closed for Tang Wing construction and do not reopen until 2030. That removes from your visit window the works older listicles still lead with: Pollock’s Autumn Rhythm, Picasso’s Gertrude Stein, Johns’s White Flag, the Rothko 1960s rooms, Beckmann’s Beginning, and the Met’s Cézannes. Selected works appear in rotating placements during construction — Picasso has surfaced in the European Paintings hang, Cézanne in adjacent rooms — but the dedicated wing is gone through 2030. (Tang Wing hub; Gothamist on the rooftop closure.) The Cantor Roof Garden closed after Jennie C. Jones’s Ensemble on October 19, 2025 and is dark through 2030. The Ancient West Asia and Cyprus galleries are closed through 2027 — no Assyrian winged-bull reliefs here in the interim; the British Museum and the Louvre are the alternatives.
The honest implication: the Met’s strength in 2026 is its pre-modern collection. A modern-art-led visitor should weight the trip toward MoMA and the Whitney and treat the Met as the encyclopedic foundation. The modern wing returns in 2030.
The 3-hour sequenced route — wing by wing
Times below are looking-time at each stop; budget another fifteen minutes for inter-wing walking. Enter at 81st Street at 10:00 sharp.
1. Egyptian Wing — Temple of Dendur. Gallery 131. 30 minutes. Walk north along the Egyptian sequence (Galleries 100–138) to the climax: the Temple of Dendur, completed 10 BCE under Caesar Augustus on the west bank of the Nile, gifted by Egypt to the US in 1965, reassembled at the Met in 1978 inside Kevin Roche’s glass-walled hall (Gallery 131; the wing’s prior naming was retired in 2021). The temple sits on a raised platform behind a reflecting pool, the north-facing glass opening onto Central Park. Walk around the rear to read the 19th-century graffiti carved by European travelers. (June 12 – September 8, 2026: the free Giacometti in the Temple of Dendur installation places the sculptor’s figures on the platform — Met press release.) On the way in, slow for the Old Kingdom mastaba of Perneb (Gallery 100) and the Hatshepsut sculpture sequence (Galleries 115–116).
2. Greek and Roman — Cubiculum from Boscoreale and the kouros. Galleries 152–176. 25 minutes. South across the central axis. The Cubiculum from Boscoreale (Gallery 165) is the most undersold room in the museum: a reassembled Roman bedroom from a villa buried in the same 79 CE Vesuvian eruption that destroyed Pompeii, four walls of second-style architectural-fantasy fresco. In Gallery 154, the Marble statue of a kouros (c. 590–580 BCE), one of the earliest surviving Greek monumental male nudes, frontal and almond-eyed, more Egyptian than classical.
3. American Wing — Washington Crossing the Delaware and Madame X. 25 minutes. North again, up the American Wing’s interior stair. Emanuel Leutze’s Washington Crossing the Delaware (1851) hangs in Gallery 760 — twelve by twenty-one feet, the second version after the original was destroyed in a 1942 Bremen fire, the work that set the American visual memory of the Revolution. The bench about forty feet back is where the perspective resolves. (metmuseum.org notice.) Continue to Gallery 771 for John Singer Sargent’s Madame X (1883–84) — Virginie Gautreau, whose 1884 Salon scandal forced Sargent out of Paris into a London career; he sold the painting to the Met in 1916 with the request that the sitter remain unnamed. Galleries 768 and 770 hold the Met’s wider Sargent holdings; the Gilbert Stuart Washington portraits sit in the Federal-period rooms nearby. Reserve a private American Wing guide on Viator for the Hudson River School context — the Church Heart of the Andes, Bierstadt landscapes, and Cole Course of Empire sit in adjacent rooms.
4. European Paintings — Vermeer, Caravaggio, El Greco, Bruegel, Rembrandt, de la Tour. 2nd floor. 45 minutes. The heaviest stop. Escalator from the American Wing or the Grand Staircase to the second floor; enter the post-2024 Look Again reinstallation.
- Vermeer wall — Gallery 630. All five of the Met’s Vermeers on one wall: Young Woman with a Water Pitcher, Study of a Young Woman, A Maid Asleep, Allegory of the Catholic Faith, Portrait of a Young Woman. Closer to the Mauritshuis concentration than any other American hang.
- Caravaggio — Gallery 620. The Musicians (c. 1597) and The Denial of Saint Peter (c. 1610). Two of seven authenticated Caravaggios in American museums, in one room.
- El Greco — Gallery 619. View of Toledo (c. 1599–1600), one of the earliest standalone cityscapes in Western painting; the Portrait of Cardinal Fernando Niño de Guevara alongside.
- Bruegel, Rembrandt, de la Tour — Galleries 612, 628, 633. Bruegel’s The Harvesters (1565), the Months-cycle landscape that essentially invents the secular genre. Rembrandt’s late Self-Portrait (1660), without flattery. Georges de la Tour’s The Fortune-Teller (c. 1630s), the four-figure swindle scene.
- Optional — David’s The Death of Socrates (1787), Gallery 614 area [verify].
Eight works, six rooms, under three minutes’ walk between each. Browse small-group European Paintings tours on GetYourGuide for a rehang-aware return trip.
5. Arms and Armor — equestrian parade. Galleries 370–379, 1st floor. 15 minutes. Back down via the Grand Staircase. The central court holds four mounted knights in late-medieval German armor (the Hofjagd suits) in a procession that may be the museum’s most-photographed image after the Temple of Dendur. Slow for the etched-and-gilt parade armor of Henry II of France by Étienne Delaune (Gallery 374). Closes the route around minute 175.
Insider — the Temple of Dendur skylight hour. The hall’s north-facing glass passes direct sunlight onto the temple between roughly 11:00 and 13:00 from November through February when the sun is low. Roche’s 1978 building was reassembled to capture this — one of the more deliberate light-architecture decisions in American museum design.
The 14 essential works, at a glance
| Work | Artist / Date | Gallery | Wing / Floor |
|---|---|---|---|
| Temple of Dendur | 10 BCE | 131 | Egyptian, 1st floor |
| Mastaba of Perneb | c. 2381–2323 BCE | 100 | Egyptian, 1st floor |
| Cubiculum from Boscoreale | c. 50–40 BCE | 165 | Greek and Roman, 1st floor |
| Marble statue of a kouros | c. 590–580 BCE | 154 | Greek and Roman, 1st floor |
| Washington Crossing the Delaware | Emanuel Leutze, 1851 | 760 | American, 2nd floor |
| Madame X | John Singer Sargent, 1883–84 | 771 | American, 2nd floor |
| Vermeer — Young Woman with a Water Pitcher + 4 others | Vermeer, c. 1660–72 | 630 | European Paintings, 2nd floor |
| The Musicians | Caravaggio, c. 1597 | 620 | European Paintings, 2nd floor |
| View of Toledo | El Greco, c. 1599–1600 | 619 | European Paintings, 2nd floor |
| The Harvesters | Pieter Bruegel the Elder, 1565 | 612 area | European Paintings, 2nd floor |
| Self-Portrait | Rembrandt, 1660 | 628 area | European Paintings, 2nd floor |
| The Fortune-Teller | Georges de la Tour, c. 1630s | 633 area | European Paintings, 2nd floor |
| The Death of Socrates (optional) | Jacques-Louis David, 1787 | 614 area [verify] | European Paintings, 2nd floor |
| Equestrian parade armor | German + French, 16th c. | 370–379 | Arms and Armor, 1st floor |
Gallery numbers reflect the post-2024 Look Again rehang and the Sackler-era space’s renaming to Gallery 131. Check metmuseum.org the morning of arrival if a specific painting matters.
Sidebar — If you have only 90 minutes. 81st Street → Temple of Dendur (15) → Madame X + Washington Crossing the Delaware (15) → up the escalator → Vermeer wall + Caravaggio room + El Greco View of Toledo (30) → exit. Five rooms, nine works, the realistic shape of a between-meetings Met visit or a long-layover route.
Sidebar — If you have an extra hour. Astor Court Ming garden (Gallery 217, Asian Art) — a reassembled scholar’s garden modeled on the Garden of the Master of the Fishing Nets in Suzhou, the first Chinese garden built outside China, opened 1981. Damascus Room (Gallery 461, Islamic Art) — an 18th-century Ottoman-period Syrian reception room. Costume Institute spring show Costume Art (May 10, 2026 – January 10, 2027 in the new Condé M. Nast Galleries, the museum’s nearly 12,000-square-foot Costume Institute expansion). (Met press release.)
Sidebar — If you have a second day: the Met Cloisters. Your three-day ticket admits you to the Cloisters at 99 Margaret Corbin Drive in Fort Tryon Park — A train to 190 Street, then ten minutes on foot through the park. Allow three hours. The Unicorn Tapestries (the Hunt of the Unicorn cycle, c. 1495–1505), the Mérode Altarpiece (Robert Campin, c. 1427–32), the Cuxa Cloister (reassembled from a 12th-century Pyrenees abbey), and the Bonnefont and Trie cloister gardens — the medieval-European collection no other American museum approaches. Combine into a Cloisters-included Met admission.
The pay-what-you-wish question — who qualifies and how to claim
The most-asked question about Met admission and the one AI search engines most consistently get wrong. (metmuseum.org Admission page.)
Who qualifies. New York State residents of any age and full-time students of any college or university in New York, New Jersey, or Connecticut. No time-of-day restriction; the policy holds whenever the museum is open.
What counts as ID. A New York State driver’s license or State ID is the cleanest proof. A utility bill with a New York address is accepted. For NY/NJ/CT students, a current college photo ID with a non-expired date. Out-of-state students attending school in NY/NJ/CT qualify on the student card alone.
How to claim. At the ticket desk in person — not online, not at security. The full-price online flow through metmuseum.org is a separate path; once you check out at $30, the resident discount is not retroactively applicable. Walk up to the ticket desk inside the Great Hall or at 81st Street and show ID. Technical minimum is one cent; common payment is $5–10 as a donation. The previous suggested-donation system that let any visitor choose any amount ended in 2018; out-of-state and international visitors now pay the fixed tier without negotiation.
The rule has saved Manhattan residents roughly $30 per visit for the past two decades and is the reason a meaningful share of New York’s art-school student body treats the Met as a study space. It is also the reason the museum’s pre-2018 reputation as “free” persists in older travel writing — that part is no longer true for tourists. The policy is unambiguously alive for 2026 and a competitive distinction against MoMA (fixed $30) and the Whitney (fixed $30 with Friday free hours).
Tickets — the actual paths in 2026
Four buying paths for non-residents.
Direct from metmuseum.org — $30 / $22 / $17. The cheapest legitimate path. Timed-entry slots release roughly two weeks ahead. The same paid ticket admits the holder to both the Met Fifth Avenue and the Met Cloisters for three consecutive days — the single most underused feature of Met admission. We do not affiliate-link the museum’s own ticket page. (metmuseum.org/plan-your-visit.)
Tiqets / GetYourGuide fast-track — $32–40. A $2–10 markup over the official rate for guaranteed entry within 1–7 days. Same security, same scanner. Right call when metmuseum.org is sold out or when bundling with other NYC attractions. Compare Met options on Tiqets.
NYC CityPASS does not include the Met. Confirmed for 2026. The CityPASS Big Apple bundle covers the Empire State Building, the American Museum of Natural History, and three of Guggenheim / 9/11 Memorial / Top of the Rock / Statue of Liberty ferry / Intrepid / Circle Line — the Met has been outside the CityPASS bundle since the 2018 policy change. (CityPASS NY attractions.) The Sightseeing Pass flex tiers do include the Met on some configurations; verify before purchase. Browse NYC museum passes on Tiqets for a four-plus-attraction trip.
Guided tour with admission — $75–125. A 2–3 hour museum-experienced guide. Book a 3-hour Met guided tour on GetYourGuide; for a private route, browse private Met guides on Viator.
Around the Met — the Museum Mile context
The Met sits on Museum Mile, the Fifth Avenue stretch from 82nd to 105th holding nine museums in fifteen blocks.
- Guggenheim — 1071 Fifth at 89th, four blocks north. Frank Lloyd Wright’s 1959 spiral. Strong on early modernism (Kandinsky, the Thannhauser Cézannes). Closed Thursdays; pay-what-you-wish Saturdays 16:00–18:00. The natural same-day pair.
- Neue Galerie — 1048 Fifth at 86th, one block north. German and Austrian early-twentieth-century art, anchored by Klimt’s Adele Bloch-Bauer I (the Woman in Gold). Closed Tue–Wed.
- The Frick Collection — 1 East 70th Street, fourteen blocks south. Reopened April 17, 2025 after the Selldorf renovation; Westmoreland restaurant opened June 2025. The small-museum counterweight — Vermeers, Bellini St. Francis, Goya Forge, plus a newly-public upstairs floor. (frick.org/visit.)
- Central Park — directly behind the Met; the eastern edge abuts the museum’s western wall.
The cleanest Mile add-on is Met morning + Guggenheim afternoon — post-Met fatigue absorbs the spiral better than the reverse. Browse Museum Mile walking tours on GetYourGuide; for a post-museum park walk, book a Central Park private tour.
Combining with Whitney + MoMA — the NYC museum trio
The three major museums sit on a triangular grid: Met at 82nd and Fifth, MoMA at 53rd and Sixth, Whitney at Gansevoort. Subway transit between any two is 25–40 minutes. The two-day itinerary:
Day 1 — Upper East Side. Met 10:00–13:30, lunch, Guggenheim or Frick 15:00–17:30. Met as encyclopedic foundation; Frick if your interest is Vermeer-Rembrandt-Bellini, Guggenheim if early modernism.
Day 2 — Midtown to Downtown. MoMA 10:00–13:00, lunch, Whitney 15:00–18:00 plus the Meatpacking-to-Chelsea gallery walk. Our MoMA essentials sequences the second-and-fifth-floor route — Picasso Demoiselles, Pollock, Rothko, Matisse Dance. Our Whitney Biennial 2026 guide covers the 82nd edition (March 8 – August 23, 2026) and the Guerrero–Sawyer curation, plus the Chelsea galleries within fifteen minutes.
Met-or-MoMA-first: Met first. It demands more energy, benefits from a fresh morning, and provides the comparative context that makes MoMA’s twentieth-century rupture legible the next day. For visitors comparing to other encyclopedic routes: our Louvre in 3 hours is the closest international analog; British Museum essentials, Vatican Museums skip-the-line, Uffizi essentials, and Prado essentials round out the cornerstone set.
Where to eat between viewings
Petrie European Sculpture Court Café — inside the Met, accessible without re-entering security. Glass-roofed sculpture court doubling as café seating, around $25 per head. Convenient and decent; the right call when leaving the museum costs you twenty minutes.
The Members Dining Room — fourth floor, members-and-guests only. The trick older guides miss: any Met member can sign in one guest, which means a friend’s Met membership gets you into the dining room with the best museum-interior food in New York and western-facing windows over Central Park. $40–60 per head.
Café Sabarsky at Neue Galerie — 1048 Fifth at 86th, one block north. The Viennese café inside the Neue Galerie, Kurt Gutenbrunner’s spätzle, wiener schnitzel, and sachertorte modeled on the Vienna kaffeehaus tradition. Klimt’s Adele Bloch-Bauer I is two floors up. Lunch $35–55; wait 30–45 minutes at peak, so arrive 11:30 or 14:30.
J.G. Melon — 1291 Third Avenue at 74th Street, six blocks south and two east. Upper East Side institution since 1972, cash-only, the hamburger that defines the genre. Burger and cottage fries about $20. Absorbs the Met-fatigued American Wing visitor better than any white-tablecloth option.
Where to stay
Three neighborhoods within fifteen minutes of the Met.
Upper East Side (mid-to-luxury). The walking-distance pick. The Carlyle (35 East 76th) and Mark Hotel (25 East 77th, Jean-Georges downstairs) are the prestige stays; Wales Hotel (1295 Madison at 92nd) and Hotel AKA Central Park (42 West 58th) are quieter mid-range. Six to twelve minutes’ walk to the Met. Browse Upper East Side hotels on Booking.
Midtown (mid-range, best for transit). 30 minutes north via the 6 train from Grand Central or the Q from 57th. Better for MoMA and Broadway days. The Refinery Hotel (63 West 38th), Hotel Hendricks, and Hyatt Centric Times Square are mid-range under $400 in shoulder season. Browse Midtown hotels on Booking.
West Side (mid-range, best for MoMA + Whitney pairing). 25 minutes to the Met via the M86 crosstown or the 1 to 86th. The Lucerne (201 West 79th), NYLO (2178 Broadway), and Hotel Belleclaire (250 West 77th) under $350 in shoulder season. Browse Upper West Side hotels on Booking.
The opinionated pick: Upper East Side for first-time art-led visitors, even at premium — being able to walk to the Met at 9:45 is decisive. For visitors weighting the trip toward MoMA and Whitney, West Side is the better base. A weekly NYC subway unlimited pass at $34 (buy on GetYourGuide) clears break-even by Day 2 for any multi-museum trip.
FAQ
How much does the Met cost in 2026? Fixed admission is $30 adult / $22 senior / $17 student for out-of-state US and international visitors, with under-12 free. NY State residents and full-time students of NY, NJ, and CT pay-what-you-wish at the ticket desk with valid ID, technical minimum one cent. The same ticket covers both Met Fifth Avenue and Met Cloisters for three consecutive days.
Is the Met free for New York residents? Functionally yes, technically no. The pay-what-you-wish rule applies at the door for NY State residents and NY/NJ/CT students. Common payment is $5–10 as a donation. The previous system that let any visitor choose any amount ended in 2018.
How long do you need at the Met? Three hours for a deliberate 14-work route; five to six for a comfortable day; two visits using the 3-day combo for any serious art-led trip. The museum holds ~1.5 million catalogued objects across roughly two million square feet.
What is the difference between Met Fifth Avenue and Met Cloisters? Fifth Avenue is the encyclopedic main building. The Cloisters in Fort Tryon Park holds the medieval collection in a building incorporating four reassembled medieval cloisters from southern France — the Unicorn Tapestries, Mérode Altarpiece, Cuxa Cloister. One paid admission covers both for three consecutive days.
Can I visit the Met and MoMA in one day? Possible but not recommended. The honest plan is the two-day NYC trio: Met on Day 1 (with Guggenheim or Frick if energy holds), MoMA Day 2 morning, Whitney Day 2 afternoon.
What day is the Met closed? Wednesday, plus Thanksgiving, December 25, January 1, and the first Monday in May for the Met Gala. Hours: 10:00–17:00 Sun, Mon, Tue, Thu; 10:00–21:00 Fri, Sat. The Cloisters closes Thursday.
When is the Met Gala 2026 and how does it affect a visit? The 2026 Gala was Monday, May 4, with the Costume Institute exhibition Costume Art opening to the public Sunday, May 10 and running through January 10, 2027. The museum closes on Gala Monday. Costume Art inaugurates the new Condé M. Nast Galleries, a nearly 12,000-square-foot Costume Institute expansion.
Is Met pay-what-you-wish honored for tourists? No. The policy applies strictly to NY State residents and to NY/NJ/CT full-time students with ID. Out-of-state and international visitors pay the fixed rate. The rule has been the door policy since the 2018 admission-policy change.
Met vs Louvre — how do they compare? Both first-rank encyclopedic Western museums, roughly two million square feet each. The Louvre is stronger on European painting through the early nineteenth century and on Mediterranean antiquity; the Met is comparable on European painting and stronger on the American collection, textiles, arms and armor, and East Asian art. Visitor density at the Met is meaningfully lower — no Met equivalent to the Mona Lisa room density. Three hours runs a comparable route in both.
Editor note
Written 2026-05-12 by travel.art editorial. Last verified 2026-05-12. Refresh scheduled 2026-10-01 ahead of the autumn Costume Institute transition and the Tang Wing construction commencement; annual rebuild 2027-04-15.
Sources for time-sensitive facts: metmuseum.org Plan Your Visit, metmuseum.org Admission, metmuseum.org Gallery Closures, Tang Wing hub, Ancient West Asia hub, Spring 2026 Costume Institute, the Washington Crossing the Delaware notice, the Sargent and Paris exhibition page for Madame X Gallery 771, the Vermeer rehang feature for Gallery 630, frick.org/visit, and the CityPASS NY attractions.
Verification debt. (1) Exact gallery placement of David’s The Death of Socrates in the post-Look Again hang — listed Gallery 614 area; the work has rotated within adjacent rooms. (2) Whether specific modern works (Picasso Gertrude Stein, Cézanne) appear in rotating placements during the Tang Wing closure. (3) Sightseeing Pass tier inclusions for the Met — flex tiers shift annually.
If you spot a fact that needs updating, write to [email protected].
Related travel.art guides: - Whitney Biennial 2026: A Visitor’s Guide to the 82nd Edition and the Meatpacking-to-Chelsea Gallery Walk (NYC pair) - MoMA Essentials: A 2-Hour Route Through the Most Important Floors (NYC trio) - The Louvre in 3 Hours: A Curated Route Plus the Skip-the-Line Reality (encyclopedic-museum comparison) - The British Museum Essentials: A 2-Hour Route Through the Great Court (encyclopedic-museum sibling) - Museo del Prado Essentials: A 2-Hour Route Through the Most Important Rooms (sibling museum-essentials cornerstone) - The Uffizi Essentials: A 2-Hour Route Through the Most Important Rooms (sibling museum-essentials cornerstone) - Vatican Museums and Sistine Chapel: The Honest Skip-the-Line Guide (sibling museum-essentials cornerstone) - Musée d’Orsay Essentials: A 2-Hour Route Through the Most Important Floors (sibling museum-essentials cornerstone) - More from travel.art
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